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300 opened two days earlier, on March 7, 2007, in Sparta, and across Greece on March 8. Studio executives were surprised by the showing, which was twice what they had expected. They credited the film's stylized violence, the strong female role of Queen Gorgo which attracted a large number of women, and a MySpace advertising blitz. Producer Mark Canton said, "MySpace had an enormous impact but it has transcended the limitations of the Internet or the graphic novel. Once you make a great movie, word can spread very quickly."
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Some of the most unfavorable reviews came from major American newspapers. A. O. Scott of The New York Times describes 300 as "about as violent as Apocalypto and twice as stupid," while criticizing its color scheme and suggesting that its plot includes racist undertones; Scott also poked fun at the buffed bodies of the actors portraying the Spartans, declaring that the Persian characters are "pioneers in the art of face-piercing", but that the Spartans had access to "superior health clubs and electrolysis facilities". Kenneth Turan writes in the Los Angeles Times that "unless you love violence as much as a Spartan, Quentin Tarantino or a video-game-playing teenage boy, you will not be endlessly fascinated". Roger Ebert gave the film a 2 out of 4 rating, writing, "300 has one-dimensional caricatures who talk like professional wrestlers plugging their next feud." Some critics employed at Greek newspapers have been particularly critical, such as film critic Robby Eksiel, who said that moviegoers would be dazzled by the "digital action" but irritated by the "pompous interpretations and one-dimensional characters".
Some passages from the Classical authors Aeschylus, Diodorus, Herodotus and Plutarch are split over the movie to give it an authentic flavor. Aeschylus becomes a major source when the battle with the "monstrous human herd" of the Persians is narrated in the film. Diodorus' statement about Greek valor to preserve their liberty is inserted in the film, but his mention of Persian valor is omitted. Herodotus' fanciful numbers are used to populate the Persian army, and Plutarch's discussion of Greek women, specifically Spartan women, is inserted wrongly in the dialogue between the "misogynist" Persian ambassador and the Spartan king. Classical sources are certainly used, but exactly in all the wrong places, or quite naively. The Athenians were fighting a sea battle during this.
Robert McHenry, the former editor-in-chief of Encyclopædia Britannica and the author of How to Know, said that the film "is an almost ineffably silly movie. Stills from the film could easily be used to promote Buns of Steel, or AbMaster, or ThighMaster. It's about the romanticizing of the Spartan 'ideal', a process that began even in ancient times, was promoted by the Romans, and has survived over time while less and less resembling the actual historical Sparta."
In an interview the 300 writer Frank Miller, he stated, "The inaccuracies, almost all of them, are intentional. I took those chest plates and leather skirts off of them for a reason. I wanted these guys to move and I wanted 'em to look good. I knocked their helmets off a fair amount, partly so you can recognize who the characters are. Spartans, in full regalia, were almost indistinguishable except at a very close angle. Another liberty I took was, they all had plumes, but I only gave a plume to Leonidas, to make him stand out and identify him as a king. I was looking for more an evocation than a history lesson. The best result I can hope for is that if the movie excites someone, they'll go explore the histories themselves. Because the histories are endlessly fascinating."
Outside current political parallels, some critics have raised more general questions about the film's ideological orientation. The New York Post's Kyle Smith wrote that the film would have pleased "Adolf's boys," and Slate's Dana Stevens compared the film to The Eternal Jew "as a textbook example of how race-baiting fantasy and nationalist myth can serve as an incitement to total war. Since it's a product of the post-ideological, post-Xbox 21st century, 300 will instead be talked about as a technical achievement, the next blip on the increasingly blurry line between movies and video games." Roger Moore, a critic for the Orlando Sentinel, relates 300 to Susan Sontag's definition of "fascist art". Indeed, the Lambda sign on the Spartans' shields in 300 formed the inspiration for the official symbol of the far-right Identitarian movement.
Newsday critic Gene Seymour, on the other hand, stated that such reactions are misguided, writing that "the movie's just too darned silly to withstand any ideological theorizing." Snyder himself dismissed ideological readings, suggesting that reviewers who critique "a graphic novel movie about a bunch of guys... stomping the snot out of each other" using words like "'neocon,' 'homophobic,' 'homoerotic' or 'racist'" are "missing the point". Snyder, however, also admitted to fashioning an effeminate villain specifically to make young straight males in the audience uncomfortable: "What's more scary to a 20-year-old boy than a giant god-king who wants to have his way with you?" The Slovenian critic Slavoj Žižek pointed out that the story represents "a poor, small country (Greece) invaded by the army of a much large[r] state (Persia)" and suggested the identification of the Spartans with a modern superpower to be flawed.
300, particularly its pithy quotations, has been "adopted" by the student body of Michigan State University (whose nickname is the Spartans), with chants of "Spartans, what is your profession?" becoming common at sporting events starting after the film's release, and Michigan State basketball head coach Tom Izzo dressed as Leonidas at one student event. Nate Ebner, a football player with the New England Patriots in the National Football League and formerly with the Ohio State Buckeyes, was nicknamed "Leonidas," after the Greek warrior-king hero of Sparta acted by Gerard Butler in the movie 300, because of his intense workout regimen, and his beard.
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With an excellent Blu-ray player and your preferred Blu-ray discs bought from one of the best online DVD/Blu-ray stores, now you can obtain the most fantastic movie experience at your home. Among various Blu-ray player producers, Samsung has been a leading role on the Blu-ray players. If you don't have any idea about which Blu-ray player you should buy, then turn to Samsung which will never let you down. But some embarrassing things may happen when you lose your remote control and you would worry about failing to control the playback on your Samsung player. Have you been stuck by this kind of trouble? How to make Samsung Blu-ray player play without remote? Now let's take a look at the following article.
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